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BASSLINE FEST is proud to announce the latest addition to the line-up is none other than the five time Grammy winning South African singing legends, Ladysmith Black Mambazo.

Performing as part of the ‘Africa’s Tribute To Madiba’ performance on Saturday the 26th May, alongside Malian icon Salif Keita and Nigerian pop sensation Yemi Alade, the group will also get the opportunity to do a solo set on the same night – making it one of the most exciting music weekends Johannesburg has ever witnessed.

With more artists being announced regularly, the festival’s line up is growing from strength to strength and has now officially announced artists from afield Brazil, France, Japan, Cape Verde, Guinea, Mozambique, Reunion Island, Mali, Nigeria and of course South Africa.

 

The artists are all part of the celebration that unites and pays homage to our continent and in particular this year, to the legacy that is Nelson Mandela.

The BASSLINE FEST will be the only opportunity for one to witness the Nelson Mandela Tribute collaboration and add even more exclusivity to this already rare world-class line up.

 

So far, the confirmed line up of artists for BASSLINE FEST are as follows:

Salif Keita- Mali

Yemi Alade – Nigeria

Ladysmith Black Mambazo – South Africa

Dub Inc – France

Flavia Coelho – Brazil

Nakhane – South Africa

Nathalie Natiemba – Reunion Island

Ghorwane – Mozambique

Femi Koya – Nigeria

Sipho ‘Hotstix’ Mabusa – South Africa

Oki Dub Ainu Band – Japan

Sekou Kouyate – Guinea

Azah – South Africa

Elida Almeida – Cape Verde

More artists are being booked for the festival on a regular basis.

 

Now in its 14th year as the only Johannesburg-based Festival that celebrates African unity and diversity, BASSLINE FEST will be held over 2 full days for guests to enjoy music platforms and great food as well as a Nelson Mandela day tour “Footsteps of Mandela”.  Dialogue will also be held to promote social cohesion across the continent.

 

The BASSLINE FEST hashtag, #Bethelegacy is inspired by a partnership with the Nelson Mandela Foundation as we join the Nelson Mandela centenary celebrations.

Bassline will be working closely with the Nelson Mandela Foundation to promote Madiba’s legacy, through dialogue and Music programming.  BASSLINE FEST is the Foundations official Africa month celebratory event.

 

The music and food festivities kick off on Saturday the 26th May from 3pm to 11pm with two stages, both featuring top tier artists from not only the African continent, but from across the globe.  The Sunday fest times are 12pm to 7pm.

 

SABC2 will broadcast live from the Fest between 8pm and 11pm, reaching a sizeable television audience.

 

Tickets can be booked at www.ticketpros.co.za now for R400 per day or R700 for the weekend.

 

BASSLINE FEST has also put together travel packages for guest coming from afar and a Footsteps of Mandela tour.

For more information, contact info@hambaumhla.com or 061 402 8406.

 

BASSLINE FEST is presented by the Department Of Arts & Culture, in association with Kaya FM and TRACE Africa. 

Additional partners include The Nelson Mandela Foundation, SABC2, SAA, Constitution Hill, SAB Inbev, Tsogo Sun, IFAS, more to be announced in due course.

 

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Southern African reggae and world music fans have something to celebrate in May, as the internationally acclaimed French group Dub inc will arrive for a series of exciting live performances at some of the region’s most loved festival events.

The epitome of the successful European Reggae band, Dub inc’s hundreds of live performance over the past ten years have seen them play to over a million fans in 31 countries and 5 continents.

 

Over the past 20 years, the band has perfected their unique blend of Reggae, Dancehall, Kabyl and World Music. With the two distinct and yet complimentary voices of Bouchkour and Komlan’s fronting the band, the band lives and breathes its message of the ethical intermixing of styles and people.

Whether they write in French, English or Kabyl, a Berber language spoken by the Kabyle people in the north and northeast of Algeria, the band conveys a universal message through their unique sense of melody combined with truthful lyrics.

 

Born to immigrant parents, the group, like many other Reggae greats, is both political and yet optimistic. Their hopeful vision of unity and tolerance will resonate strongly with local Reggae fans, while their sound, infused with electronic vibrations, some hints to dubstep, and a few hip hop references is infectiously memorable.

 

More than just a band, Dub inc, is a movement fronted by tens of thousands of activist fans. With a grass-roots DIY ethic, Dub inc engages directly with their audiences and fans. With three performances in the region, Southern African music fans can now become part of this movement.

 

The group will be performing at the following events across South Africa and Swaziland at the end of May 2018.

 

25/05/2018 – Bushfire Festival / Malkerns

26/05/2018 – Bassline Festival / Johannesburg

27/05/2018 – Zakifo Music Festival / Durban

 

To get a sneak preview of the uplifting vibes of Dub inc – check out a range of videos here:  http://www.dub-inc.com/en/videos/

 

Their latest album, So What, as well as over a dozen of the group’s previous albums can be streamed  here: http://www.dub-inc.com/en/disco/

 

 

Dub inc Fast Facts

 

20 YEARS OF EXISTENCE (together since 1998)

300,000 TOTAL RECORD SALES with 6 albums, 2 maxis and 1 live

434 000 FOLLOWERS on Facebook

152 MILLLIONS views on Youtube

350 SHOWS IN THE PAST 5 YEARS in front of more than a million of spectators, 50% abroad over 31 DIFFERENT COUNTRIES AND 5 CONTINENTS: Germany, Portugal, Spain, Poland and more in Europe… Algeria, Marocco or Senegal in Africa… to USA, Canada, Jamaica, India or New Caledonia… and Russia or Mexico recently.
TOURING THE BIGGEST FESTIVALS such as SulaFest in India,Heartbeat Festival in Mexico, Summerjam in Germany, Paleo Festival in Switzerland, Rototom Festival in Spain, WOMAD in UK, Australia and New Zealand, Rock Al Parque in Bogota (Colombia) or Nuits d’Afrique in Montreal (Canada)

 

 

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From Friday, 13 April to Sunday, 22 April DStv Premium customers will experience an unprecedented cinematic journey with the M-Net Movies Marvel Studios Pop-Up Channel. This super-powered channel, which will be added to the already existing six M-Net Movies channels on DStv, will be available for ten days only on channel 109 and will feature 15 of the most pulsating films from the massively popular Marvel Studios franchise.

 

During these ten days, the M-Net Movies Marvel Studios Pop-Up Channel will run from 06:00 CAT to 00:00 daily. Each day of the week a film from the franchise, which has overlapping storylines, will be screened in chronological order, i.e. according to how the films were released in cinema. Starting with 2008’s Iron Man, viewers can revisit the stories of their beloved heroes all the way through to Spiderman: Homecoming, which will close the channel on Sunday 22, April.

 

 

“This channel is a special treat for the legions of Marvel fans—both old and new—who have enjoyed the live-action exploits of favourite Marvel Superheroes in films that express the unique vision and creativity of their filmmakers, and deliver thrilling action and visual spectacles with relatable characters,” says M-Net’s Head of Publicity, Lani Lombard. “The timing of our M-Net Movies Marvels Studios Pop-Up Channel is also absolutely perfect with the franchise currently creating an incredible buzz worldwide”

 

 

The release of the recent Black Panther became the biggest film of all time in East, West and South Africa, showing that Marvel Studios is at the forefront of the comic-book-turned-action-pop-culture phenomenon. While the M-Net Movies Marvel Pop-Up channel will give DStv viewers the opportunity to enjoy more gems of the franchise, which has been ten years in the making, it also serves as a lead-up to the new Avengers: Infinity War which hits South African cinemas on Friday, 27 April 2018.

 

On top of the 15 feature films (see list below) there will also be programming linked to the behind the scenes of the movies, such as: United We Stand, Divided We FallThe Making of Captain America: Civil War; Guide to The Galaxy with James Gunn and more.

 

Additionally, avid fans of the blockbuster franchise will be treated to a range of documentaries offering incredible insight into the history of Marvel. These include: Marvel 75 Years From Pulp to Pop; From Asgard To Earth (Thor); Marvel’s Captain America: 75 Heroic Years; Ultimate Iron Man: The Making of Iron Man 2 Rebuilding the Suit; Marvel Studios: Assembling a Universe just to mention a few!

The fifteen Marvel Studios blockbusters on the channel are:

Iron Man (2008)

Iron Man 2 (2010)

Thor (2011)

Captain America: The First Avenger (2011)

Marvel’s The Avengers (2012)

Iron Man 3 (2013)

Thor: The Dark World (2013)

Captain America: The Winter Soldier (2014)

Guardians of the Galaxy (2014)

Avenges: Age of Ultron (2015)

Ant-Man (2015)

Captain America: Civil War (2016)

Doctor Strange (2016)

Guardians of the Galaxy Vol. 2 (2017)

Spider-Man: Homecoming (2017)

 

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The Southern African Music Rights Organisation (SAMRO) CEO Nothando Migogo has noted with deep concern, this past weekend’s media reports about the organisation’s distribution rules.

A sensational report by journalist Charl Blignaut in the City Press, sensationally headlined, “Gospel shocker: How black musicians got screwed”, raised several allegations, particularly around SAMRO member Ms Hlengiwe Mhlaba’s royalty pay-outs, SAMRO’s relationship with multinational publishers, and the matter of public domain works.

 

The report alleged that of the 90 songs collecting royalties through SAMRO on behalf of Ms Mhlaba, “24 were only paying out 16.7% of what was due to her”. It further said that, “the remaining 83.3% was, according to SAMRO’s own database, paid to a mysterious composer called ‘DP’”, and that “Mhlaba claims that in the course of 14 albums she has had well over R100, 000 taken by DP – on top of the millions SAMRO paid to [her former manager Sipho] Makhabane without her ever formally signing her rights over to him”.

Disappointingly, despite an extensive response to an equally lengthy query, SAMRO’s comments were largely overlooked by City Press, and this resulted in a news report containing several factual inaccuracies.

 

Firstly, it must be noted that ‘DP’ is not a person, but simply an internal system categorisation that is allocated to all public domain works. A musical work will be in the public domain if it never had copyright in the first place, or if the copyright has expired (which occurs 50 years after the death of the composer as per the Copyright Act).

 

“We requested Mr Blignaut to provide evidence of his calculations and allegation that SAMRO has allocated R2 billion to the ‘DP’ category, which he did not. Based on the information at my disposal, that figure is way off the mark. I have commissioned an exercise to get an accurate figure, which our board and membership of SAMRO will have access to within the week,” said Migogo.

 

Regarding the 16.7% Arrangement Rule – this deals with music arrangements of an existing musical work. The rules stipulate that where a composer creates an arrangement of an existing song, he or she receives 16.7% of the copyright in the arrangement. The balance goes to the composers of the original work because the presumption is that original work forms the basis – and thus lion’s share – of the new arrangement.

The songs in question, arranged by Ms Mhlaba, were in the public domain, which means there was no copyright accruing to the original composition which she was arranging. Therefore, according to the Arrangement Rule in force at SAMRO, Ms Mhlaba was allocated the 16.7%.

 

The remaining 83.3% is assigned the category ‘DP’, indicating that this portion is in the public domain and technically, this remaining 83.3% does not have a royalty attached to it.

Because SAMRO licenses its users, e.g. broadcasters, on a blanket basis (i.e. a predetermined amount to be paid out to all SAMRO-member works used by the user) and not on a per-song basis, it is evident that SAMRO does not specifically collect public domain/DP royalties.

 

The pre-determined licence fee offers the user indemnity against copyright claims. SAMRO then has to ensure that the fee received is divided equally against all the in-copyright musical works reported on the basis of airplay. Where some of the works reported are in the public domain, SAMRO then has to (during the internal royalty processing) find a way of removing those public domain works from the distribution pool. This is when they get categorised as DP, meaning they do not accrue any royalties. The royalties that would have accrued had the work been in copyright, are ring-fenced and distributed to all SAMRO member musical works that have been active in that year. There is no account or purse of royalties belonging to DP.

 

 

However, SAMRO also acknowledges that the redistribution policy of ‘DP’ categorised works may not be the best practice and, as part of its policy overhaul, is committed to reviewing and addressing this urgently, in consultation with its members. SAMRO also urges the DTI to urgently release the regulations on the copyright treatment of indigenous and traditional musical works.

 

Regarding the contractual relationship between Ms Mhlaba and Mr Makhabane, who are both SAMRO members a way forward was agreed upon, in writing by Mr Gilfillan, to ensure that the SAMRO rules are applied objectively. In instances where there was conduct which was not in line with the rules or it was found that one member benefited unduly at the expense of another member, this has been and will continue to be addressed. SAMRO takes the allegations of corruption seriously, and will take appropriate actions to ensure that the matter is resolved.

 

SAMRO also seeks to clarify the issue of its relationships with multinational publishers being blatantly untrue. It was reported that over half of SAMRO’s board is made up of multinational publishers, while in actual fact, only one board seat is occupied by a publisher that can be described as a multinational publisher. The SAMRO board can be viewed at http://www.samro.org.za/about.

 

SAMRO also notes that the good news of more royalty income remaining in the country was unreported. The listening patterns on radio have previously dictated that the majority of royalties in the past were paid to international rights holders. Encouragingly, though, it must be noted that in the last radio distribution (March 2018), a total of 6,907 local members earned either for the first time (over 2,000 were new earners) or increased their SAMRO earnings significantly, which means more royalties are staying in the country. In total, an increase of R24.2 million in local distributions was seen.

 

 

Finally, SAMRO welcomes the enquiry by the Minister of Arts and Culture Nathi Mthethwa, this week and looks forward to engaging with all relevant departments of government on matters of copyright and growing the creative economy in South Africa. The winds of change with new executive management since July 2017 have brought many improvements and a commitment remains work with our members to further improve where necessary and possible.

 

 

It must be recorded that long before the weekend City Press story broke, SAMRO had long been working on reviewing the rules in question as part of a far wider policy review. This was because of the clear disharmony between some of our policies and the SAMRO we wish to see in the future.

 

 

SAMRO will be engaging in roundtable meetings with its members in our three major centres during the month of April, after which an Extraordinary General Meeting in June 2018 will be held and where new rules will be agreed upon. The dates, which have already been communicated to members, are as follows:

 

  • Cape Town – 10 April, 2018
  • Durban – 13 April, 2018
  • Johannesburg – 23 April, 2018

 

 

“A commitment to changing and evolving for the benefit of our members has been unequivocally made by our board and new executive management at its last AGM,” said Migogo. “Further, we are committed to ensuring that any wrongdoing in the past will be accounted for. We are committed to working with the relevant government departments to ensure SAMRO operates at the utmost levels of efficiency and transparency.”

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Two City Tour – Part of Dublin’s Euphoria ‘Mile High’ World Tour

#therapyeuphoria

Therapy Clubbing is proud to announce that they will be the official hosts of the international clubbing sensation EUPHORIA – as part of the Mile High World Tour taking place in 2018.

 

With two of the country’s top venues hosting the events, the EUPHORIA parties are scheduled to continue the legacy of this already world-famous party brand and bring top international DJ’s to our shores, including Dublin’s Matt Bogard and Dave Mladi as well as Therapy’s very own founding father, house legend, Stuart Hillary.

EUPHORIA DUBLIN is a Club night that was created in March 2014 in Dublin, Ireland.

A highly revered brand catering for the LGBTQ Community, each of the parties is a theme with a full production. The crew fly in on a regular basis and international DJ’s and greats as Tony Bruno, Ben Manson, Tommy  Love, Ana Paula, Danny Verde, Phil Romano, Fabio White, Pagano and Hector Fonseca have all played there.

 

The main aim of EUPHORIA is to put smiles on faces.  The Mile High World Tour will also visit London, Florence, Algarve, Lisbon and many others.  Therapy is incredibly excited to be part of this world-class party series this Autumn.

 

DJ SOUNDCLOUD LINKS

Matt Bogard https://soundcloud.com/search?q=matt%20bogard%20xtra

Dave Mladi  https://soundcloud.com/search?q=dave%20mladi%20-%20xtra%20party

 

A VIDEO link to one of the  parties that shows EUPHORIA in action:  https://vimeo.com/224906039

 

JHB

Featuring 2 Thumping Dancefloors, 2 International DJ’s, as well as the unstoppable Therapy residents in action.

Includes Hotbox Main Room inside the venue and a Therapy Lite Street Party

Where: Carfax Newtown, 39 Gwi Gwi Mrwebi Street, Newtown

When: Saturday 28 April

Time: 9PM – 4AM

Tickets: Early bird R140, Standard online R190, Door price R200 before 10pm, thereafter R220

Right of admission reserved: No under 18s, No Attitudes

 

CAPE TOWN

Featuring 2 international DJ’s as well as the inimitable Therapy resident DJ crew

Where: Pink Panther Night Club, 120 Strand Street, C.T. 8000

When: Thursday 26 April (Friday is Freedom Day)

Time: 9PM – 4AM

Tickets: Early bird R75 , Standard online R85 , Door price R90 before 10pm, thereafter R110

Right of admission reserved: No under 18s, No Attitudes

 

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The Official #BRINGYOURFIRE Guide 2018

Posted by radio On March - 27 - 2018 ADD COMMENTS

Winner of the African Best Responsible Event Award in 2017, MTN Bushfire has also been hailed in by CNN as one of the “7 African music festivals you really have to see” and listed by BBC as a “Top African Festival.”

 

MTN Bushfire is a uniquely African, and yet globally infused, festival experience that welcomes thousands of people in an atmosphere of tolerance and passionate commitment to music, the arts, and the environment.

 

From May 25th – 27th MTN Bushfire encourages everyone, from guests and artists, to traders and vendors to BRING YOUR FIRE to the beautiful Malkerns valley in Swaziland.

 

Your Fire is your energy, your spirit, your passion, and your drive to make a difference.

 

For those unsure of just how to #BRINGYOURFIRE in 2018, MTN Bushfire is pleased to announce the official Bring Your Fire Zone, an interactive space devoted to specialized activities where all guests can create and share their own #BRINGYOURFIRE experiences.

 

The Bring Your Fire Zone will present tangible opportunities to engage within the key themes for 2018. No less than eight partner organisations will bring the following themes to life at this year’s event:

 

  • Environmental Sustainability

  • STEM Education (Science Technology Engineering Mathematics)

  • Tolerance and Inclusion

  • Sexual and reproductive health

  • Orphans and vulnerable children

  • Rural development

 

Every visitor will have the opportunity to take part in a host of #BRINGYOURFIRE activations that include the following.

 

GREEN YOUR FIRE!

As a green festival, MTN Bushfire continues to aim for a minimal global footprint across its various strands and has renewed its commitment to being an eco-friendly event. Recycling will have an increased focus across the festival, including all trader and market spaces.

 

PLANT A TREE with The Khula Tree Planting Project

In 2018 people will have the opportunity to engage in the protection and promotion of indigenous trees by participating in the 2018 Khula Planting Tree Project.

 

MAKE MUSIC with Conservation Music

Conservation Music is an organisation that uses music to engage communities across southern Africa in environmental projects and awareness. In addition to hosting a studio where guests can add their voices to various tracks, Conservation Music will be offering guests a variety of ways to get involved.

 

RAINBOW FIRE!

 

MTN Bushfire has always celebrated tolerance, diversity and inclusion. In 2018 the focus is on LGBT rights, gender equality and the rights for sexual and reproductive health and freedom. A host of experts and organisations from within the LGBT space will present a space to proudly celebrate inclusion. From poetry slams and discussion at the new venue The Hub, to social and photo booth activations, everyone is invited to take part.

 

Poetry & Performance

MTN Bushfire is also very excited to announce a performance from Staceyann Chin, multiple award winning poet and performer. Winner of the 2013 American Heritage Award from American Immigration Council, and the 2016 Planned Parenthood Excellence in Media award, Chin is also a 2017 LGBTQ Humanist Award recipient. She unapologetically identifies as Caribbean and Black, Asian and lesbian, woman and resident of New York City.

 

A proud Jamaican National, Staceyann’s voice was featured on the Oprah Winfrey Show, where she spoke candidly about her experiences of growing up on the island and the dire consequences of her coming-out there.

 

Get CONDOMISED!

Condomise will be back at MTN Bushfire in 2018, once again sharing information on sexual and reproductive health.  In addition to information and product distribution, Condomise will offer HIV counselling and related services, and host a number of conversations through educational and entertaining games and activations.

 

MENTOR a Male with Kwakha Indvodza

Kwakha Indvodza is a male mentoring organistion that runs community-led, health and behaviour change interventions interventions with men and boys.  KI will present its materials as well as take part in training over 120 staff. Local guests can also find out more about ways to get involved in mentoring youn men in order to promote gender equliaty and a more just Swazi society.

 

BE A FIRESTARTER!

 

Everyone’s a Hero

Just by purchasing a ticket to MTN Bushfire guests are supporting Young Heroes, as MTN Bushfire sponsor E15 to the organisation from every ticket purchased.  This deep partnership dates back to the very first MTN Bushfire. Since then, the festival and its partners have donated over E/R1.6 million enabling Young Heroes to provide food and clothing to over 1,000 orphans. Activators from Young Heroes will discuss those issues with festival goers and will provide people with knowledge and information on how to support the organisation even further.

 

Wear Your Fire

100% of MTN Bushfire official merchandise proceeds are given to BOMAKE Rural Projects, an NGO that assists nearly 800 rural Swazi women their families and their communities to access basic Health services, basic education, and training in sanitation and hygiene as well as savings and micro-enterprise development.

 

Since 2010, MTN Bushfire Festival of the Arts has donated close to half a million Emalangeni /Rand to this organization. So just by purchasing a t-shirt, cap or other merchandise, guests to the festival are supporting this amazing initiative. In the Bring Your Fire Zone activators will also be present to share about their experience as people who work in the NGO.

 

Code & Create

STEM will introduce festival goers to computational thinking, computer science, and technology who will then be given the chance to use a graphic base programming language, and to produce a digital artwork using or through coding.

 

For more information on the 2018 edition of MTN Bushfire visit www.bush-fire.com or https://www.facebook.com/MTNBUSHFIRE

 

 

 

 

 

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BASSLINE FEST officially announces two of the headline artists for the weekend of 26th and 27th May will be none other than African greats Salif Keita from Mali, and pop phenomenon Yemi Alade from Nigeria.

 

 

With more artists being announced regularly, the festival’s line up is growing from strength to strength and has now officially announced artists from afield Brazil, France, Japan, Cape Verde, Guinea, Mozambique, Reunion Island, Mali, Nigeria and of course South Africa.

 

The artists are all part of the celebration that unites and pays homage to our continent and in particular this year, to the legacy that is Nelson Mandela.

The two artists that have been selected as ambassadors from Africa to celebrate Madiba’s legacy are Yemi Alade and Salif Keita, who collectively will perform in an exclusively crafted performance to pay tribute through not only their own songs, but also a duet and a further composition entitled “Africa’s Tribute To Mandela”.

 

The BASSLINE FEST will be the only opportunity for one to witness the duet and add even more exclusivity to this already rare world-class line up.

 

Salif Keita is one of the continent’s most beloved Afro-pop artists. Having been ostracised for his albinism as a younger adult, he immersed himself in music before moving to Paris where he has resided since 1984, honing his craft and becoming one of the most prolific stars from Africa. Known as the ‘golden voice’, Salif has released over 20 albums with some of the biggest record labels in the world.  He has toured the globe extensively and known as one of West Africa’s finest composers and singer.  BASSLINE FEST is honoured to be able to add him to the line-up in 2018.

 

Yemi Alade is one of the younger pop stars from Nigeria that is currently making huge waves across not only Africa, but in parts of Europe too.  As a winner of the talent show, Peak Talent in 2009 she subsequently released the smash hit Johnny, which saw her becoming a house-hold name almost instantly.  She has followed it up with similar styles of dance pop combined with her signature humorous lyrics.  Despite her massive stardom, Yemi has released three albums, and has shared stages with acts such as Mary J Blige, Wizkid, M.I., Waje and many others.  We are excited to see her on South African soil.

 

The other confirmed artists for BASSLINE FEST, all previously announced, are as follows:

Dub Inc – France

Flavia Coelho – Brazil

Nakhane – South Africa

Nathalie Natiemba – Reunion Island

Ghorwane – Mozambique

Sipho ‘Hotstix’ Mabusa – South Africa

Oki Dub Ainu Band – Japan

Sekou Kouyate – Guinea

Azah – South Africa

Elida Almeida – Cape Verde

More artists are being booked for the festival on a regular basis.

 

Now in its 14th year as the only Johannesburg-based Festival that celebrates African unity and diversity, BASSLINE FEST will be held over 2 full days for guests to enjoy music platforms and great food as well as a Nelson Mandela day tour “Footsteps of Mandela”.  Dialogue will also be held to promote social cohesion across the continent.

 

The BASSLINE FEST hashtag, #Bethelegacy is inspired by a partnership with the Nelson Mandela Foundation as we join the Nelson Mandela centenary celebrations.

Bassline will be working closely with the Nelson Mandela Foundation to promote Madiba’s legacy, through dialogue and Music programming.  BASSLINE FEST is the Foundations official Africa month celebratory event.

 

The music and food festivities kick off on Saturday the 26th May from 3pm to 11pm with two stages, both featuring top tier artists from not only the African continent, but from across the globe.  The Sunday fest times are 12pm to 7pm.

 

SABC2 will broadcast live from the Fest between 8pm and 11pm, reaching a sizeable television audience.

 

Tickets can be booked at www.ticketpros.co.za now for R400 per day.

 

BASSLINE FEST has also put together travel packages for guest coming from afar and a Footsteps of Mandela tour.

 

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Oleta Adams to perform live in Sandton

Posted by radio On March - 23 - 2018 ADD COMMENTS

Oleta Adams, one of soul music’s legendary names, will set the stage alight when she performs at the Sandton Convention Centre (Pavilion) on Friday, April 27, 2018. She will share the musical honours with South Africa’s own Wanda Baloyi. These two diverse performers make a dynamic package and something to which dedicated music followers can look forward.

 

“T Musicman is delighted to bring  back Oleta Adams to our shores to share the stage with  as we celebrate 21 years of the Standard Bank Joy of Jazz and 20 years of a fruitful partnership with Standard Bank. This journey deserves a spectacular celebration”.

 

We are honored with the support we have had from Business, Public institutions and the public in general. Get your ticket and come experience and celebrate with us for one night only. This Road to Standard Bank Joy of Jazz paves a way to the exciting line up announcement scheduled in May.

 

Adams is a unique artist. She has inspired a growing legion of fans in both the U.S. and Europe with journeys of the heart through songs that draw deeply from her roots in gospel, while crossing effortlessly into the realms of soul, R&B, urban, and popular music.

She came to the attention of the music world with the runaway success of her 1990 Platinum debut album, Circle of One. The record spawned the impassioned hit single, Get Here, the Brenda Russell composition that became the unofficial anthem of the 1991 Gulf War.

 

Her success, nurtured by worldwide tours with Tears for Fears, Phil Collins, Michael Bolton, and Luther Vandross, has been solidified by four Grammy nominations and a seemingly bottomless well of creative energy.

 

Oleta will be adding to her musical legacy with the release in April of a new secular album, Let’s Stay Here, which she is producing herself in addition to writing eight of the ten songs on the album. It will be her eighth album.

 

The album is described as “evocative with a soulful jazz influence and songs that project many tantalising thoughts.” It also features Nina Simone’s “Feeling Good”. The concert, presented by Road to Standard Bank Joy of Jazz, falls under the T Music Man banner. This is the organisation behind the annual Standard Bank Joy of Jazz festival which it has organised with enormous success for the past 31 years.

 

The concert begins at 20:00, but doors will open at 19:30. Tickets prices are R400 and can be obtained from Computicket.

 

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During 2017, the SAMRO Foundation awarded bursaries worth over R1-million to music students, with an online tool streamlining the applications and adjudication. One of the recipients, a third-year student specialising in jazz at the University of KwaZulu-Natal, Nelisiwe Zinhle Msomi wrote:

 

“I would like to thank you for supporting my academic journey for this year, 2017. Your meaningful gesture has encouraged me even more to complete my studies. By writing this letter, it is not only to show gratitude but also to build a longer relationship between myself and the SAMRO Foundation. Thank you, kwande la nithathe khona.”

 

Each year the SAMRO Foundation invites applications for bursaries for music studies. The SAMRO Foundation accepts applications from:

 

i) full-time students

ii) registered at a South African University, in their

iii) 2nd, 3rd and 4th years, or Honours and Master’s degrees, who are

iv) citizens of South Africa, Botswana, Lesotho or Swaziland, who are

v) studying for a degree or diploma majoring in music.

 

 

Due to limited resources the Foundation cannot support

(a) Students from private higher education institutions – such as City Varsity; COPA; AFDA; Academy for Sound Engineering; etc.

(b) university students in their 1st year of study

(c) students in foundation or bridging programmes

(d) students specialising in Musical Theatre or Music Therapy

(e) Doctoral level students.

Each bursary is worth R11 000.

 

Online music bursary application forms and guidelines will be on the SAMRO Foundation website by the beginning of November 2017.

Please note that you can only apply once you’ve completed registration in 2018 and have all required documentation as set out below.

 

 

The Application Form:

Before applicants start to fill in the form they should source following digital documents that will need to be uploaded before submitting the application:

  • Copy of ID Document

  • Proof of 2018 registration

  • 2017 Examination results or most recent academic record (university transcript)

  • 2 Letters of reference from current university lecturers (not older than 3 months)

  • For Master’s degree applicants – a reference letter from your supervisor & a 5 – 8 page synopsis of your thesis. Please note that this bursary does not cover any coursework or Master’s degree recitals.

 

We request that all communications including reference letters be provided in English. Please only submit what has been requested. Additional material will be discarded.

Disqualification criteria: Applications will not be considered if

  • any section of the form is incomplete

  • supporting documents are missing

  • more than one proposal is submitted per student

  • the application is submitted after the deadline of 30 March 2018

 

 

Terms and conditions:

  1. The decisions of the independent adjudication panel will be final, subject only to confirmation by SAMRO Foundation’s Board
  2. Awarded bursaries will be communicated to the relevant Heads of Department and paid directly to the relevant universities for the relevant year.
  3. Bursaries are restricted to the degrees/diplomas stated in the applications and may not be transferred to other degrees/diplomas
  4. Bursary awards are for payment of tuition fees only
  5. Bursaries may only be used in the academic year in which they are awarded

For further information, please email samrofoundation@samro.org.za

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2018 marks four years of The Orbit’s existence. As has become tradition, this fourth birthday will be celebrated with The Orbit Anniversary Festival from 13th to 18th March. During this week, The Orbit will be the center of attraction, as some of the country’s most gifted musicians and arts revelers flock to the venue to celebrate the growth of South Africa’s jazz culture.

 

The Orbit Anniversary Festival is truly a coming of age celebration like no other and, this time around, we bring you #The4thMovement.

 

This anniversary conventionally signifies stability and coming full circle and #The4thMovement at The Orbit will be reminiscent of the excitement when the jazz journey first started.

 

#The4thMovement will be bringing big sound with some of the bigger bands in jazz. Celebrating with us will be the legendary Sibongile Khumalo, The Blue Notes Tribute Orkestra, Tlale Makhene’s Swazi Gold, Steve Dyer’s Mantswe a Marabi, and Luyanda Madope’s Connecting Generations.

 

Extra special about The Orbit Anniversary Festival 2018 will be the reunion of the legendary VOICE after almost ten years since they last performed together. This iconic quintet consists of some of South Africa’s most seasoned musicians such as Andile Yenana, Marcus Wyatt, Sidney Mnisi, Herbie Tsoaeli, and Morabo Morajele.

 

This year’s festival will also be the first time a brand new band, Trio Grande, will be presented to South Africa. The trio is a coming together of key figures in South African music; Feya Faku, Paul Hanmer, and Louis Mhlanga. #The4thMovement will be closed off on Sunday, 18 March in jazz tradition with a free jam session led by award-winning pianist and producer, Luyanda Madope.

 

As always, the musical feast will happen at The Home of Jazz – The Orbit – with a meeting of the minds between artists and appreciators of the arts who will descend on Braamfontein to celebrate #The4thMovement.

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