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The 10th iteration of The Radio Awards will see a new category introduced in 2020:  the Station Manager’s Choice award.

“Innovation and inclusivity are what make The Radio Awards a respected, relevant fixture on the industry’s calendar,” says Taryn Westoby, head of events for Arena Holdings. “We’ve been guided by The Radio Awards’ new advisory board, key industry stakeholders, and active input from the National Association of Broadcasters (NAB). We’re excited to deliver on their recommendations.”

 

The Station Manager’s Choice award will be the first of its kind for the SA radio industry, and has been created to recognise those individuals – the unsung heroes – who have previously not had the opportunity to be acknowledged for their contributions in previous years of The Radio Awards.

“The important feature of the Station Manager’s Choice award is that anyone who works behind-the-scenes – and is not on air – is eligible.  It could be a PA, a member of the finance department, a sales executive, or someone who brings unique energy and positivity to the work environment, in support of the on-air talent and station management. A nomination from the Station Manager is a huge sign of appreciation for the work that they do,” says Westoby.

 

Station Managers who wish to acknowledge an employee that captures the essence of the station and who goes beyond the call of duty, are invited to make their Station Manager’s Choice nominations via an online portal when entries open on 3 February 2020.

 

Further details will follow in coming weeks, but Station Managers are encouraged to start their considerations in the meantime. “It’s possibly worthwhile creating an internal station feedback process to select the individual the Station Manager should nominate,” says Westoby.

 

 

Mark these dates!

  • 20 November 2019 – general category entries have opened

  • 24 January 2020 – general category entries close

  • 3 February 2020 – Station Manager’s Choice nominations open

  • 18 April 2020 – The Radio Awards gala dinner

 

For enquiries about The Radio Awards 2020 entries, please contact Phila Nkanunu on NkanunuP@tisoblackstar.co.za | 011 340 9465

 

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SABC3’s New Strategic direction

Posted by radio On December - 11 - 2019 ADD COMMENTS

The South African Broadcasting Corporation’s (SABC) commercial television channel, SABC 3, has embarked on a process to review its overall performance regarding the schedule‘s key pillars and programming investments. This review is in line with the channel adapting to the current changes in the media landscape and the increase in audience and revenue performance targets.

This review exercise is being undertaken in line with the SABC 3’s turnaround plan, with the intention to deliver and become a competitive and commercially viable public commercial service platform, through compelling and relevant content.

The recent programme changes on the channel are part of this review. The channel, through its strategic plans, will continue to commission concepts in line with market consumption patterns and needs analysis. The channel will provide local producers more opportunities as we celebrate being locally relevant and globally present.
Viewers are invited to stay tuned for more exciting new content on the channel in the new year.

 

SABC 3 “The Stage is yours – OWN

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The DStv School of Laughter and 947 are excited to announce Lerato Tloubatla and her son Tlotlego as the winners of the #1stDayTakeover competition, which ran from 25 to 29 November 2019.

DStv knows the first day of big school is a milestone day for parents and kids alike. That’s why we partnered with 947 to create an event that would be cherished by parents and kids for years to come.

 

We asked parents to tell 947 what they were most looking forward to about their kids going to “big school”. Participants were entered into a draw to win an epic #1stDayTakeover activation for their child, where DStv’s School of Laughter and 947 will visit their child’s school on the first day of the 2020 academic year and hand out all sorts of goodies including interactive weekly planners to help kids plan their homework, sport activities and DStv time.

 

 

Lerato Tloubatla, a DStv premium customer, heard about the competition while listening to The Breakfast Club with Anele on 947. “I immediately thought it was an awesome opportunity for my son, who starts Grade 1 next year,” she says. “After speaking to him about it and seeing how excited he was, I decided to try my luck.”

 

Lerato received a call from DStv a few days later confirming that they had won the competition. “Tlotlego’s birthday always falls within the school holidays – so more than anything, I was grateful that he would finally enjoy a day at school that is all about celebrating him,” she says.

 

The influence of a child’s home environment and parenting practices on early development is well established. In fact, studies show that interactions between parents and child in the first few years of life are especially important for early language, cognitive and socio-economic development.

 

 

According to Lerato, one of the things she loves most about DStv is the fact that she and her son can enjoy the same entertainment. “Shows like The Amazing World of Gumball, for example, appeal to both adults and kids,” she says. “I find the wittiness hilarious, while Tlotlego enjoys the characters and storylines. We watch these kinds of shows together all the time.”

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For more than six decades, the Miss Universe pageant has attracted millions of viewers worldwide, every one of them cheering for their homegirl. This year, it was our turn to do the cheering when our brilliant representative Zozibini did us proud, proving to be outstanding in every category she competed in.

 

It’s the world’s largest pageant competition in terms of live TV coverage, with more than 190 countries tuning in. The Miss Universe competition has a worldwide audience of over 500 million people, and this year was no different in terms of popularity.

If you never saw the live broadcast of the event, never fear – you can now tune in to watch all the tears and laughter first-hand.

 

 

The pageant was hosted by talk show host and comedian Steve Harvey for the fifth time – he’s been allowed to continue despite his spectacular gaffe four years ago when he accidentally announced the wrong winner! His evening wasn’t completely without errors this year either though, as he incorrectly announced the winner of the Best National Costume as the Philippines, when it was in fact Malaysia.

 

Zozibini’s stunning win brings the number of times South African beauties have won the crown in the past to three: Demi-Lee Nel-Peters won just two years ago in 2017, and prior to that, Margaret Gardiner was our last winner back in 1978.

 

 

Zozibini has wholly embodied the pageant’s motto of ‘Confidently Beautiful’ with her strong message of how young women should never be scared to be leaders. Her incredible achievement is a win for all young girls who have ever had a dream, and for the whole universe who believes in her message.

Want to see why Zozibini won?

Watch Miss Universe 2019 on Sunday 15 December on Vuzu 116 at 20:00.

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NOW STREAMING: AfriDocs Anytime Migrant Stories

Posted by radio On December - 10 - 2019 ADD COMMENTS

AfriDocs, Africa’s only free streaming platform for documentary films, is once again bringing some of the best documentaries to TV screens across the continent. The 2019 edition of Migration Stories is sees six powerful and moving documentaries about the various realities of migration from an African perspective.

With the support of the German Government, AfriDocs will once again present powerful stories that reflect the difficulties of migration as faced by thousands of people looking for a better life in Europe.

 

This diversity of films from Kenya, Burkina Faso, The Gambia, Burundi as well as from Europe bring in to stark focus the hardships that drive many Africans to leave their homelands, as well as the stark realities awaiting those who do.

 

The films are being screened as a way to increase awareness around migration in the communities that are most affected. You can join in the conversation on the AfriDocs social media platforms: https://www.facebook.com/AfriDocs/ and on twitter @Afri_docs. Use #MigrantStories to add your voice to the conversation.

 

The films are available to stream on Africa’s only FREE streaming platforms for documentary films, AfriDocs Anytime, www.afridocs.net that will stream all six of the documentaries anytime for anyone viewing from Africa.

 

Free to Air TV screenings will also take place in the Horn of Africa and  in Nigeria and Ghana during December and January.

 

The following films are available to stream now on #AfriDocsAnytime

 

Cinema Dadaab |  Kati Juurus | Kenya | 2018 | 58 min
Dadaab is a dreamlike place forgotten by the rest of the world: a huge refugee camp on Kenya’s border to  Somalia. The refugees cannot leave, but they let their  minds escape by going to the cinema to watch films  and to dream of other countries

 

 

 

Special Flight | Fernand Melgar | France | 2011 | 52 min

Special Flight is a dramatic account of the plight of undocumented foreigners at the Frambois detention center in Geneva, Switzerland, and of the wardens who struggle to reconcile humane values with the harsh realities of a strict deportation system. The 25 Frambois inmates featured are among the thousands of asylum seekers and illegal immigrants imprisoned without charge or trial and facing deportation to their native countries, where they fear repression or even death. The film, made in Switzerland, is a heart-wrenching exposé of the contradictions between the country’s compassionate social policies and the intractability of its immigration laws.

 

Espoir Voyage | Michel Zongo | Burkina Faso | 2011 | 80 min

In Espoir Voyage, Burkinabe director Michel Zongo sets off on a personal journey in search of traces of his older brother Joanny. Like many others, Joanny left his village at the age of 14 to go and earn money for his family working on plantations in the Ivory Coast. Nobody had heard from him since he left. Many years later, Joanny’s family received a message saying he had died. How had he lived? Why did he die? Via his brother’s life story, Zongo tells the story of migration within Africa and reflects on its consequences: the solidarity and conflicts between migrant workers and the concern of the families left behind.

 

Chez Jolie Coiffure | Rosina Mbakam | Belgium | 2018 | 72 min

Sabine works in Matonge (Brussels) as hairdresser in a salon. While she is working, she is at the same time waiting for a regulation of her case. In that place where she use to work, with other girls, they live under threat of national police who chase them. Sabine works no less than thirtheen or fourteen hours per day and sometimes tourists come and visit the place where she works and look at them as in a museum.

 

Uncertain Future |  Eddy Munyaneza | Burundi | 2018 | 70 min

Burundi, April 2015. Demonstrations against Pierre Nkurunziza’s third term bring thousands of people to the streets of Bujumbura. A failed coup d’état further plunges the country into repression and violence. Whole families are fleeing the country. Eddy, director, films the demonstrations, then the first executions and the victims. His artistic and social commitment dislocates his family, who decides to leave without him. Faced with the violence that is gaining ground, he is eventually also forced to flee his country. As a refugee in Senegal, far from his family, he begins an internal journey caught in the images and memories of the crisis that shakes Burundi. Nine months later, he goes in search of his children in Rwanda. On both sides of the border, he meets those who stayed in Burundi or chose the path of exile. Their stories, often fragmentary and brutal, show great uncertainty.

 

No Way Back | Louise Hunt | The Gambia | 2019 | 8 min

No Way Back’ explores the realities of life in Italy for two asylum seekers from Gambia, both called Lamin, who risked their lives to reach Europe in the hope of getting an education and jobs. But since the Italian government changed its immigration laws in November 2018, they are at risk of joining the thousands of undocumented migrants who are forced onto the streets or seek shelter in squalid camps and squats, such as ‘The Ghetto’, a derelict factory in Rome.

 

A Walk on the Tightrope | Sandra Budesheim, Sabine Zimmer | Germany 2017 | 52min
In the asylum procedure in Germany, applicants and case officers meet on only one single occasion – at the personal interview. A decision is then made about who stays and who has to leave.

 

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Apple announces first ever Apple Music Awards

Posted by radio On December - 7 - 2019 ADD COMMENTS
Introducing the Apple Music Awards, a celebration of the best and boldest musicians of 2019 and the enormous impact they have had on global culture this year. The Apple Music Awards honor achievements in music across five distinct categories and winners are chosen through a process that reflects the service’s editorial perspective, combined with what customers around the world are loving most.
The winners for Global Artist of the Year, Songwriter of the Year and Breakthrough Artist of the Year were hand-selected by Apple Music’s global editorial team of experts and tastemakers and given to artists who have true passion for their craft, who boldly defy conventions in the category and who embody a sense of humanity, where listeners are drawn as much to who they are as to their music. The awards for Album of the Year and Song of the Year are based on streaming data and reflective of what Apple Music customers have been listening to (on repeat) this year.
“The Apple Music Awards are designed to recognize the passion, energy and creativity of the world’s favorite artists,” said Oliver Schusser, Apple’s vice president of Apple Music and International Content. “The musically diverse group of inaugural winners have sparked deep social conversation, influenced culture and inspired our customers around the world. We couldn’t be more excited to celebrate them.”
And the winners are…

Artist of the Year: Billie Eilish

Billie Eilish is nothing short of a global phenomenon. Her blunt relatability helped turn her full-length debut album “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?,” co-written and produced by her brother, songwriting prodigy FINNEAS, into an instant worldwide sensation, and the most played album on Apple Music this year. What followed — selling out her upcoming 2020 WHERE DO WE GO? world arena tour, playing “Saturday Night Live,” multiple festivals including Coachella and Glastonbury, and becoming a global style icon — were all “huge moments … that are going to be historic in your life,” she says. “So 2019 has been one big birthday present.”
Additionally, Billie’s “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?” will be awarded Apple Music’s Album of the Year as the most streamed album of 2019 with more than a billion streams on Apple Music. Billie will also receive the award for Songwriter of the Year, which will go to both her and her brother FINNEAS.

Breakthrough Artist of the Year: Lizzo

This rap and soul supernova redefined the terms and image of pop stardom. “This is what a breakthrough is all about, babies,” Lizzo tells Apple Music. There’s no point in being humble: It doesn’t get much bigger than “Cuz I Love You” and its chin-up single “Truth Hurts,” which dared to ask what pop stars should look and sound like — and whether they should play flute while twerking. (They should.) Lizzo’s joyful, bawdy message of self-love is the perfect soundtrack — or antidote — to 2019.

Song of the Year: “Old Town Road” by Lil Nas X

A true viral sensation, this genre-blurring, homemade anthem became nothing less than the biggest single of 2019 and the most streamed song on Apple Music this year. “I went into the realm of a loner cowboy, needing to run away from everything,” Lil Nas X tells Apple Music. “But I also wanted to put it with what was on the rise, which is the whole meme culture — plus actually making it a listenable, catchy song.” He succeeded: “Old Town Road” made history and turned Lil Nas X into an overnight superstar.
Apple Music will celebrate the inaugural Apple Music Awards with a bespoke performance from Billie Eilish at the Steve Jobs Theater at Apple Park. The show will be unlike anything ever seen from this unanimously crowned Artist of the Year. This exclusive event will be streamed live around the world on December 4 at 6:30 p.m. PST.

An Award That is Uniquely Apple

Apple has designed a series of awards to celebrate the extraordinary craftsmanship integral to creating music. Each award features Apple’s custom silicon wafer suspended between a polished sheet of glass and a machined and anodized aluminum body. The wafers start as a perfect 12-inch disc of silicon with nanometer level flatness. Copper layers are deposited and patterned by ultraviolet lithography to create connections between billions of transistors. The result of this multi-month process, before it is sliced into hundreds of individual chips, is stunning and distinctive. In a symbolic gesture, the same chips which power the devices that put the world’s music at your fingertips sit at the very heart of the Apple Music Awards.
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Samsung announced its headline sponsorship of the latest in Cassper Nyovest’s famous FillUp series of concerts. This December, Samsung will be firmly behind the popular hip hop star, in the Royal Bafokeng Stadium in Rustenburg, as he once again raises the bar for South African artists. Cassper Nyovest’s Fill Up concert series is the most successful hip hop focused event in Africa. This is seamlessly aligned to Samsung’s position as the most loved brand in South Africa in the Sunday Times Top Brand survey, for the 7th year in a row. Additionally, the show’s innovative stage design and production has set the standard and influenced major artists worldwide.

“Cassper is a pioneer intent on blazing new trails. He is the perfect epitome of Samsung’s brand ethos ‘Do What You Can’t”, says Cambridge Mokanyane, Chief Marketing Officer at Samsung South Africa.

 

Consumers will also be introduced to the Samsung Galaxy A30s, a special edition with enhancement such as Celebrity Alarm and Galaxy Theme, allowing our customers to enjoy flagship features such as Samsung Pay and Bixby Alarm so they Don’t Live Life Nje. The new Samsung Galaxy A30s has triple camera, uninterrupted infinity display and long-lasting battery life at an affordable price that will strike a chord with all South Africans.

 

Event Details
Date: 15 December 2019
Time: 14:00 – 00:00
Venue: Royal Bafokeng – Rustenburg

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There is nothing quite like a live performance from the legendary Thandiswa Mazwai. This powerful and dynamic artist will share an evening to be remembered as the finale of the 2019 Bassline Live season.

Saturday November 30th 2019 guests will be in for an evening of magic, as Thandiswa herself explains, “What I love most about performing live is how unpredictable it is and just how much a great audience can heighten the experience of the music. Improvisation is an important part of live performance because it speaks to sounds being created here and now. With the right musicians on stage, live performance can be transcendental. In the words of rapper Homeboy Sandman, and I paraphrase, ‘I never do the same show twice, I am way too nice.’ The people can expect more of that. I am always trying to find new ways to look at the music and it’s performance.”

 

She goes on to say, “I’m really excited to be back at the Lyric theatre with my Bassline family, we look forward to creating sacred spaces, and allowing music to do its divine work.”

 

This show promises to be a sold out show and a fitting end to this star-studded 2019 season for the Bassline Live series. Meshalin Naidoo, Promotions and Events  Manager of The Lyric Theatre puts it this way, “The Lyric Theatre, Gold Reef City is super proud to have been part of the amazing and successful Star-Studded  Bassline Live Series for 2019.  We look forward to partnering with Bassline for 2020!”

 

Thandiswa’s performance comes after months of international touring, as she explains “The last few months have been packed with travel as I try to build bridges to other lands. We played AFROPUNK in Brooklyn after headlining it twice in Jozi. Then we went back to NYC for the Carnegie Hall Citywide Festival. We played the Schomburg centre for research in black culture and it was really amazing to see the iconic pictures of African-American creatives strewn everywhere. We also just got back from playing the Redbull Music Festival in Melbourne and are right now getting ready for Summer festivals all over the Mamaland.”

 

The show starts 8pm at The Lyric Theatre at Gold Reef City on Saturday November 30th. Tickets are available from Computicket starting at R250.

 

Once again, supporting this event is stylish urban outfitters Brentwood Clothing who continue to stand behind the rich arts and culture scene in South Africa. Bassline Live is also presented in association with Castle Lite to unlock Extra Cold Refreshment and Experience.

 

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In the past week, the Minister of Communications Stella Ndabeni-Abrahams hosted a roundtable discussion at AfricaCom titled, ‘Fourth Industrial Revolution (4IR) Human Capital Development for Africa.’ She has also recently spoken of an ecosystem of 4IR in “building a capable 4AR Army” to respond to challenges regarding economic growth faced in the youth sector.

Additionally, also just in the past week, a report from the African Development Bank (AfDB) was launched at the Africa Investment Forum that shows a continent that is ready to embrace (4IR) but needs to improve access to finance, skills and inclusive growth. The report, titled Potential of the Fourth Industrial Revolution in Africa, highlighted specific areas of growth and investment on the continent, most notably in new technology-led areas of Artificial Intelligence (AI), Big Data Analytics,  additive manufacturing and drones, and the internet of things.

 

While the report, and the related discussion at The Investment Forum highlighted many of the challenges facing Africa such as lack of coherent, policy, investment in connectivity infrastructure and access to data and the internet, it also noted that for the first time Africa is embarking on an industrial revolution at the same time as the rest of the world.

 

In September this year, an investment of R140 million ($9.2 million) by US multinational technology conglomerate Cisco was signed as part of a partnership with government in three key areas: job creation through Cisco incubation centres, skills and talent development and National Cyber Security.

 

The Kagiso Trust also just published the findings of a recently commissioned qualitative and quantitative research study,  the first South African study to evaluate, on a large scale, citizen awareness of 4IR and its potential impact on South African society in general.

 

Some of the results of the research study were:

  • Almost half (49.1%) of the respondents believe there will be a societal impact from 4IR.

  • 2 in 5 of the respondents believe that there will be no job creation with the advent of 4IR.

  • Just over half of the respondents believe that 4IR will result in large-scale job losses.

  • Only a quarter of the respondents believe that the 4IR will improve societal equality.

 

With so many developments rapidly taking place, and the still general lack of understanding about just what 4IR entails,  it is critical to take a few steps back and clarify some of the essential points around 4IR and how we embrace and pro-actively address the needs of the 4IR future.

 

4IR refers to a new era that is rooted in a new technological phenomenon—digitalization, artificial intelligence, algorithms and data. In order for an economy to benefit from these changes, as opposed to suffer the consequences of the much predicted mass-unemployment that this revolution will hail, there needs to be a 4IR ready workforce.

 

While many of these technological innovations will mean job losses, there is also the massive opportunity to create jobs via some of the key skills areas required for this new world of work. Some of the essential skill sets include:  the “Cloud”, artificial intelligence, the internet of things, data science and analytics, and cyber security.

 

Earlier this year, the National Economic Development and Labour Council (NEDLAC) published a report on the future of work in SA.  The report also imagines what the world of work will look like in SA by 2030. They listed the  12 main driving forces that will shape the South African workplace of the future and placed 4IR and technology at the top of the list.  With the establishment of the Presidential Commission on the Fourth Industrial Revolution, of which the MICT SETA consults, policy is being developed to address 4IR across various sectors including agriculture, finance, mining, manufacturing, ICT and electronics and business.

 

For the MICT SETA (Media, Information, and Community Technology), this understanding is  especially important as we work with both government and the private sector to train the next generation of workers.

 

In order to pro-actively address the imminent changes to the work force of South Africa, the MICT SETA has established a  4IR division and Advisory Committees with four work stream areas of focus:  education, research, policy and labour.  The division will input into Presidential 4IR Commission programmes and ensure alignment with other institutions such as  SETAs, academia, public funded research institutions, labour and community on 4IR policy and implementation. The MICT SETA is also in the process of reviewing and developing new qualification that will address the 4IR skills needed for future of works.

 

As the Head of 4IR at the MICT SETA I am able to see first-hand both the challenges and the opportunities that lie ahead and am confident that the multi-faceted and collaborative approach that we are taking will yield results.

 

The opportunity to create a 4IR ready country and workforce will take an immense amount of resources – but fortunately the process has already begun and as we head into 2020 will accelerate into high gear.

 

For more information on the work being done on 4IR visit the following websites:

https://www.mict.org.za/

https://www.doc.gov.za/ms-stella-ndabeni-abrahams-induction-session-presidential-commission-4ir

 

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The Joburg Film Festival, brought to you by MultiChoice, will kick off its six-day celebration of global film on 19 November 2019 with the South African premiere of locally-produced horror film, 8, at the festival hub on Nelson Mandela Square in Sandton

Between 19 and 24 November, audiences will be able to watch a total of 60 films and documentaries from around the world at six venues (within Auto & General Theatre on the Square and at a free outdoor screening area at Nelson Mandela Square); Ster-Kinekor Sandton City; Cinema Nouveau Rosebank; Maboneng’s Bioscope and Kings Theatre in Alexandra) across Johannesburg.

The Festival will play host to a number of stars, producers and directors, who will participate in Q&A sessions after select screenings across the programme, with daily red carpet premieres giving fans the opportunity to meet the stars themselves.

“The Joburg Film Festival offers a multicultural cinema experience in the heart of Johannesburg,” says Joburg Film Festival Executive Director Timothy Mangwedi. “It’s a cinematic feast that showcases thought-provoking, debate-stoking films from around the world, which we can’t wait to share with the people of Johannesburg”.

 

MultiChoice Group Executive Corporate Affairs, Joe Heshu, says that the company’s support of the Joburg Film Festival is aligned to its role as Africa’s most-loved storyteller. “Our platforms have always supported the best in local and international films, with themed pop-up channels dedicated to film festivals. The Joburg Film Festival the physical manifestation of that support of cinema – offering film fans the chance to enjoy interesting, challenging films in the company of key cast and crew and explore their love for movies”.

 

The Joburg Film Festival line-up includes films from South Africa; Nigeria; Mozambique; Brazil; USA; UK; Morocco and more, with a mix of feature films and documentaries showcasing stories that cross cultural boundaries. Local horror film 8 stars Tshamano Sebe, Inge Beckmann, Garth Breytenbach & Chris April – it tells the tale of an old man, fated to collect souls for eternity, who then seeks atonement after trading his daughter’s soul.

 

Idris Elba’s directorial debut, Yardie, tells the story of a Jamaican immigrant in London who becomes consumed with avenging the murder of his older brother. Frances-Ann Solomon’s Hero is inspired by the life and times of Ulric Cross whose life spanned key moments of the 20th Century like WW2, African independence, Black Power, the rise of a new brand of Black leadership around the world – all events that have shaped the world today.

 

Luce, starring Octavia Spencer; Kelvin Harrison Jr; Naomi Watts & Tim Roth sees liberal-minded couple, Amy and Peter Edgar, who are forced to reconsider their image of their adopted son after they discover he has written an extremely disturbing essay for his class at school.

Grace Jones: Bloodlight & Bami delves into the story of larger than life performer and model Grace Jones to discover her as a lover, daughter, mother, sister and even grandmother. The stage is where her most extreme embodiments are realised and her theatrical imagination lets loose: this is where the musical of her life is played out.

Where are you, João Gilbertosets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova, Brazilian musician João Gilberto, who has not been seen in public for decades.

 

Fanney Tsimong’s soulful documentary, My Culture, My Music, illustrates how music has always been a powerful tool within South African culture. A host of South African artists narrate what music and culture mean to them: connecting to the body and soul, healing and providing a sense of being.

 

For a full listing of the 60 films which make up the Joburg Film Festival – and for information on how to book tickets when bookings open on 10 November – visit Joburg Film Festival.

Keep in touch with the Joburg Film Festival on social media, @joburg_film_festival on Instagram, @joburgfilmfest on Twitter and facebook.com/joburgfilmfestival.

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